Author Archives: Justine

The Sunflower, Simon Wiesenthal

sunflowerI am sure that you are all familiar with the name Simon Wiesenthal. He was not only an author and a brilliant academic, but he was also heralded for his tireless work in identifying Nazi criminals and bringing them to justice. He leaves behind an endless legacy which is primarily expressed through The Wiesenthal Centre, a global Jewish human rights organisation that confronts anti-Semitism, hate and terrorism, promotes human rights and dignity, stands with Israel, defends the safety of Jews worldwide, and teaches the lessons of the Holocaust for future generations. Wiesenthal is probably most remembered for his role in capturing Adolf Eichmann and bringing him to justice.

This book, The Sunflower, recounts an experience that Wiesenthal had whilst in a work camp/concentration camp during the Second World War. Taken out of the camp to work at a school now converted to a hospital, a nurse takes Wiesenthal to the bedside of a dying member of the SS. This man had asked the nurse to find him a Jew to whom he could confess his sins.

The soldier is seriously injured and clearly dying. He is burned and his face is wrapped in bandages, hidden from view. He proceeds to unburden himself to Wiesenthal, reaching out to him and preventing him from leaving the room. Wiesenthal is immobilised. He does not know whether to flee or stay and bear the weight of the confession.It is a complex and fraught situation, one with no proper response. Wiesenthal, the concentration camp survivor listens to the SS soldier’s words and then walks away, unable to provide the absolution which is sought. He wears this torn sense of guilt on his sleeve for years, incapable of giving himself absolution for sitting and listening to the confession. Wiesenthal’s solution is to seek out the soldier’s mother in an effort to unburden himself to her and make her wear the burden of her son’s sins… even in this endeavour he fails for he cannot destroy the mother’s illusion of her son as “a good boy” who would never do any wrong. Wiesenthal walks away. However, he leaves us with this question:

You who have just read this sad and tragic episode in my life, can mentally change places with me and ask yourself the crucial question, “What would I have done?”

The remainder of the book presents a symposium of responses from various recognisable people – The Dalai Lama, Desmond Tutu, Cynthia Ozick and Primo Levi to name a few. I found this part of the book very difficult to read. The essay responses to Wiesenthal’s question are very short and what I wanted was more of a dialogue about this issue, rather than just a one sided response. At times I found myself vehemently disagreeing with the respondent’s but that was simply frustrating. I don’t think there is an answer to Wiesenthal’s question … I think that only God can forgive and in my mind, Wiesenthal had no power to take this man’s confession nor to bear the weight of the lives and legacies of the hundreds of people who died at his hand.

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Tears of the Desert, Halima Bashir

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This was probably not the best book to read on the back of Dream of Ding Village which I reviewed here, but I couldn’t help myself! From the first page I was hooked and there was no turning back, despite the somewhat desperate and confronting subject matter.

This book is a memoir and it details Bashir’s youth in a rural village in Darfur. Bashir describes her childhood in idyllic terms, surrounded by devoted parents and a stern but loving grandmother. Despite the incredibly strong connection between Bashir and her mother, the book pays significant attention to the relationships between the women in this family, specifically between Bashir and her grandmother. The grandmother’s story is itself fascinating: when her husband secretly took a second wife, the grandmother decided to leave and in secret she took the children and vanished. Unfortunately, there was one child that her husband would not allow out of his mother’s sight and Grandmother went to great lengths to reunite her family, abducting the child and disappearing. I wanted to hear more about this woman and her fire and passion! Grandfather eventually finds his lost wife and the two develop a good friendship, although they never reunite!

The legacy which Bashir pays most attention to is her father’s liberal approach toward her position as a woman and the value of education. Bashir is clearly academically minded and her father sends her to the city to a school and then on to university. Bashir embraces her education and revels in the opportunity to better herself. Despite the obstacles which she faces – the discrimination and bullying at the hands of her Arab peers, her struggle to fit in and the strangeness of the city – she thrives in this new space. For me, it was this which raised one of the most interesting confessions in this memoir. At first, Bashir is overjoyed to finish her first term at school and return home. She describes falling back into the village lifestyle and her joy at seeing her friends, family and particularly her grandmother. However, when she returns to the village after her second stint at school she suddenly realises that she feels superior to the rest of the village, that she can no longer relate to them, their values and their beliefs. This leaves her torn and desperate to return to school and the environment to which she has become accustomed.

What was interesting for me was that Bashir so clearly enunciates the pitfalls of colonialism in this realisation and this stands in such distinct contrast to her sustained idyllic nostalgia. There is a taut balance between her desire to step into the West and the values it represents and her need to hold on to everything that her culture signifies to her.

Bashir’s journey is gripping and as I turned the book’s final pages I was desperate to know more about this incredible woman and all she accomplished. Unfortunately, my searches on the internet revealed only scant information! I would welcome a sequel to this fascinating story!!

Letters from the Lost: A Memoir of Discovery, Helen Waldstein

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I haven’t yet finished this book but I am so enjoying its journey that I couldn’t wait to share it with you!

Letters from the Lost is a most beautiful memoir about the ties which bind people and how language can so clearly paint the picture of these bonds. The book is constructed around a series of letters that Waldstein discovers after her father has passed away. Through these fragments, Waldstein reconstructs the past which her parents so carefully kept from her, or rather, protected her from.

Waldstein’s father was fortunate to receive the last exit visa from a clerk at the time that Hitler invaded Prague in 1939. Waldstein took his wife and then young child, Helen, to Canada where they started a new life as farmers. In Canada, Helen’s parents did their best to ensure that she had the best that they could offer. At times this meant hiding the fact that they were Jewish.

Helen follows this trail of letters back to Europe where she is reunited with the house keeper whose scent she still remembers and where she is forced to come to terms with the enormous loss that plagued her family over the decades that passed since their escape from the destruction wrought by Hitler.

The story is told with such incredibly sensitivity and at times awe that it is marvellously readable and very emotive. I am drawing it out because I simply don’t want it to end… through the extracts from these letters I feel as though I have come to know all the aunts and uncles, grandparents and cousins that Helen knows only as a distant echo of a memory. I, like Helen, am relearning the past and despite the underlying sorrow, it is a beautiful journey.

Dream of Ding Village, Yan Lianke

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This was one intense and extremely disturbing book. I’m not sure quite what to say about it. On the one hand, it presents a very satirical and thought provoking depiction of life in China’s rural areas: the power of the government officials, the dichotomy between rich and poor, the rites and rituals which characterise the culture of the region. On the other hand, the characters in this novel and the tender way in which they are described and nurtured is so touching that it is hard to balance this with the satirical nature of the text. I found myself feeling a very contradictory set of responses to this novel and I am still not quite resolved in my overall reaction to it.

What I found most disturbing about this story was its context; an Aids epidemic in China. This touched me on many levels. Firstly, and most obviously, I knew nothing about this tragedy and when I did a quick google search I discovered that the reports in the media corroborated Lianke’s perspective in this text. We have heard so much about the spread of Aids in Africa that the same disaster in China seems to have taken a back seat … Secondly, the spread of this “fever” was a direct result of government sponsored blood collections which were an inspired way that the Chinese officials decided to boost the economy in these small rural enclaves. The entire novel is constructed around the hypocrisy of this situation, the double standards, and the warped perspectives of villagers and officials alike. 

On some level, this novel reminded me of the art works of Ai Wei Wei, specifically his installation called Remembering. I love Wei Wei’s work but I think that I found Lianke’s novel too confronting on some level. Perhaps I am yet to digest it … Anyone else read it?

Half Blood Blues, Esi Edugyan

Last week I jumped on Esi Edugyan train of a novel, Half Blood Blues. I call it a train because i feel I was truly taken for the most miraculous ride. At times we sped through tranquil landscapes, emotions flying and flaring and at other moments we were forced to pause and listen to the stillness of the perfect musical note trilling against this fraught backdrop of Europe in the 1940s. I felt myself guzzling this novel, literally wolfing it down whole, parts undigested, having to force myself to hold back so that the incredible journey wouldn’t end, so that I could wallow for just a few more pages before I reached the final destination and the porter came to tell me that the ride was over and I had to disembark. 

I loved everything about this book. I loved the fact that I was so surprised by it in so many different ways. I loved the way Edugyan managed to craft these incredible voices which resonated with so many different emotions. I loved the twisted connections between characters, the slow blossoming of relationships and the mateship that characterised the bond between men from different backgrounds with a common love for making music. I loved the way that Edugyan took an era in history that is so written about, so terrifying, and enabled us to see some of the beauty that grew beneath the winds of the Nazi occupation of Europe. In this simple book, she has allowed us to reacquaint ourselves with the humanity behind the horror and the horror within that humanity. 

This is not a happy book, but it is also not a sad one. Rather, it is a beautiful mix of emotions which ebbs and flows much like the music it describes. For me, this ability to take to readers by the hand and lead them ever so gently into the river of the narrative is such I gift that I was literally swept away by Edugyan’s craftsmanship. This novel is a true pleasure to read. It’s voices are so filled with hope, awe and sorrow that one cannot help but be swept away. Reading this book I felt like it’s protagonist, Sidney, as he describes his friend Chip and his ability to play the drums:

“Hell, I known he played the drums a bit, but nothing like this. I watched in awe as Chip skipped gently on the cymbals, worked his skinny thigh into a rhythm on the bass. Holy hell, my boy could wail. Limbs all twitching, his very skin seemed to peel back on the harder hits. Was one of those moments someone comes unclothed, you see this whole other life in the. I was trampled flat.”

And then, his passion for music, for Jazz in particular:

“I was in love. Pure and simple. This place, with its stink of sweat and medicine and perfume; these folks, all gussied up never mind the weather – this, this was life to me. Forget Sunday school and girls in white frocks. Forget stealing from corner stores. This was it, these dames swaying their hips in shimmering dresses, these chaps drinking gutbucket hooch. The gorgeous speakeasy slang. I’d found what my life was meant for.”

And as the story unravels its velvet folds, so the writer interjects with these magical observations about life, the world and the power of passion:

“At last Chip said, ‘I tell you what I know. The world’s damn beautiful. But it’s an accidental beauty. What we do, it’s deliberate. It’s the one damn consolation you can offer not just you own life, but other lives you ain’t even met.’ He gave Hiero a long, thoughtful look. ‘You don’t owe the world nothing, Thomas. I know it. And you a good man. But it sure as hell breaks my heart, missing your music. There been this one brutal emptiness I been hauling around my whole life, and it’s that damn beautiful music of yours. I ain’t never stopped being lonely for it.”

And on it goes. I could add some further spoilers about the plot and the interesting nature of the characters, but I will leave that up to you to discover for yourselves. In short, I found this a magical book, well worth the ride and I will definitely be watching out for more from this incredible author.

Short Story Heaven

It’s not often (well really, it’s never) that I am grabbed and drowned by a short story. I cannot explain why, but I am not a fan of the genre. I understand the value of the short story, the fact that shorter prose pieces are more difficult to cultivate and mould, that there is greater genius, often, in a short piece, but I still can’t bring myself to really enjoy the Short Story. Until now, that is… I have just been so overwhelmed by the brilliance of one particular short story that I have to share it for you in its entirety. Kait Heacock, I am now your biggest fan!

Upstairs
by Kait Heacock

Peter was an agoraphobic. He couldn’t tell you what that was a year ago, but he could describe to you now what it feels like to stand by the front door and feel the heat radiate off of the knob, so sure it could burn you if you touch it. He never would have guessed when he rented this one-bedroom basement apartment that it could become his waking coffin, that he would let her death bury him alive. It was the first place he found on Craigslist, the woman who owned the house was the first landlord to return his call, and he took it without inspecting the toilet or looking closer at the cracks in the ceiling.

Sylvia didn’t know she had rented the apartment in her basement to an agoraphobic. She thought they kept different hours. As a nurse who worked the graveyard shift three nights a week, she had grown used to keeping hours with truck drivers, ghosts, or the women working on Highway 99.  She had become a ghost herself at some point. She lost track of when.

Sylvia didn’t sleep most nights. Working as a nurse gave her an excuse some nights; the others, she hadn’t noticed. She discovered she was an insomniac one night as she ate a peanut butter and jelly sandwich and saw that the clock on the microwave said four a.m.

Peter had walked into the apartment two weeks after the mugging. It wasn’t until he had finished unpacking and looked out the window at the wet snow and gray slush of January that he realized he never wanted to leave again. The therapist who visited him on Wednesdays stamped him with post-traumatic stress disorder. Peter’s father paid a lot of money for the therapist to make house calls. Peter’s father expected a quick turn around.

“Be a man, son,” Peter’s father told him after three months. “When your mother died…”

“You were already married to your new wife,” Peter reminded him.

After six months a check came in the mail every month; his father’s phone calls came less than that.

Sylvia looked for remedies to sleeplessness in warm milk, baths, and everything else posted on the Internet. She had Ambien pushed on her but didn’t want to need a medicine. The night after an orderly gave her a joint to relax her, she spent four hours sitting on the kitchen counter and ate an entire box of Cheerios.

The time she didn’t spend sleeping at night afforded her extra time for thinking. She thought about her divorce twenty years ago, whether she regretted never having children, and about how lonely the end of your life can become when there is nobody around at night.

The technicalities of agoraphobia were easy for Peter to work out. He ordered groceries online and when they arrived, called his friends over to bring them inside. His stepsister dropped in once or twice a month with bulk toilet paper and laundry detergent from Costco and weed. He insulated the windows to prevent any outside air from seeping through like poisonous gas. The dog door put in by the previous renters was rudimentarily sealed with duct tape. The outside world came in quick gusts when visitors opened the front door, but even then, he usually stood in his bedroom to avoid that wind touching his skin.

Realizing she had no way of overcoming her insomnia, Sylvia took up hobbies. She crocheted blankets, collected stamps, knit hats and scarves for her nephews, tried playing poker online, and wrote letters to the editors of The Seattle Times. No hobby had managed to hold her attention for more than a few weeks. She felt satisfied that she could accomplish so much in such a short amount of time and thought of all the other activities she had spent her life hoping to learn, like French cooking. But inevitably, somewhere around three a.m., she found herself pacing her living room.

While Peter rarely paid attention to the landlord upstairs, he was occasionally awakened by her alarm clock or startled in the middle of the night by the slamming of her front door. He had only met her twice, once to look at the place and the second time to exchange payment for the key. His rent checks went out the door with his visitors and he had no need to call her down into his apartment. After a while her face had faded from his memory. She was downgraded in his mind to footsteps.

He hadn’t noticed how much she was a part of his life because her noises had become ingrained in his routine. On Mondays, Wednesdays, and Fridays (the nights she worked the graveyard shift), he awoke when she came home, flipped over onto his stomach as she set her keys onto the kitchen counter and turned on the faucet, and he fell back asleep knowing that the sun wouldn’t rise for a few more hours. On the nights she wasn’t working, he could hear her favorite television shows, the smoke detector beeping when she cooked, and occasionally her voice on the telephone. The sound of her voice comforted him, like a mother’s voice or your favorite teacher.

The nights became longer as he adapted to her schedule. During the day, when she worked, he could bask in the silence from above and feel guiltless about spending time alone, something he had suppressed most of his life. But at night, her footsteps became the ticking of the clock, the rhythm of a heartbeat, unrelenting—night after night. He caught her sleeplessness like a cold. He thought about pounding on his ceiling with a broom. It reminded him of his dorm room days, and he didn’t want to resort to that. He couldn’t ask the woman to stop walking in her own apartment. But why was she pacing? Why didn’t she sleep?

The pacing started out as a tactic to tire her, but after a month it developed into something else. It was a mild workout (she thought her clothes were fitting better than usual), it was a stress reliever, it was something to pass the time. One night she paced her living room for three hours. Then she started to count her steps, and with the repetition of the numbers in her head and the sound of her feet hitting the hardwood floor, she managed to quiet her restless mind. She couldn’t sleep, but for the first time, she began to enjoy the silence of night.

Sometimes it seemed like the footsteps were getting louder. Was she jumping rope? Was she tap dancing? Didn’t she know he could hear the floorboards lurching with every step? And then one night, he finished the last of his beer and opened the bottle of whiskey that his friend Jordan brought over last month (“Don’t drink it when you feel sad,” he advised, “but drink it when you’re feeling happy.”) He sat on the couch in his boxers, clinked the ice in his glass, and listened.

After he was fairly drunk, he felt convinced that this woman was trying to tell him something. This woman upstairs somehow held the secret of what he was supposed to do with his life now, but he couldn’t get to her. So he listened. He thought perhaps her footsteps were sending a message, like Morse code. He looked it up online and tried to follow the dots and dashes of her walking with the chart he pulled up on his screen. He abandoned this plan when he realized he couldn’t hear dashes, all dots.

When his therapist came that week and he told her about the woman upstairs, she nodded rigorously, almost enthusiastically, as if his new obsession were a healthy step forward.

“Maybe you could try talking to her, call her on the phone, perhaps,” she suggested.

“And tell her what? That I haven’t left the house in over nine months, that I am scared to go outside again because every time I even think of it, I picture my dead girlfriend’s face. Do you think she’ll let me sign the lease for another year if I tell her that?”

 

Sylvia counted one thousand steps one night and she felt like she had accomplished something. Next time she’d try for fifteen hundred.

 

It happened during the day, when the apartment was quiet and he felt especially lonely. Instead of passively listening—to her footsteps, to her muffled phone calls, or to her teakettle whistling—Peter finally realized he wanted to talk back. After months of his family, his friends, and his therapist prodding for answers to everything from how he felt to what he planned to do next, it dawned on him that the only person he cared to talk to knew him only through a check in her mailbox. There was no guarantee she could hear him. People above rarely listen to those below, and it was not like she would ever put her ear to the ground. The best he could do was write to her.

He had been raised Catholic; a confession felt the most appropriate. He wasn’t ready to talk about it, the thing everyone wanted to hear. He wanted to start small, someplace far back, a secret he had never told anyone before.

When Jordan stopped by with a bag of groceries, Peter handed him an envelope with his rent check and another, blank save for his landlord’s name, Sylvia Petersen.

“What’s the blank one for?” Jordan asked.

“Just put it in her mailbox behind the check. It’s a note to her. She’s been keeping me up at night. It’s just a neighborly comment on noise level,” he lied.

He felt right just knowing that his secret had entered the world. He pictured it growing wings. He pictured his landlord holding it and plucking its feathers.

Sylvia came home from work feeling exhausted. It was flu season and she had spent most of the day giving shots to people who sneezed on her. The stack of mail she threw on the table looked average. She saw her cable bill and a reminder from her dentist of her approaching six-month checkup. She opened the envelope from her tenant and put the folded rent check into her wallet. Then she saw the plain white envelope with her name on it.

When she opened the envelope and looked at the scribbled note, she assumed it to be some kind of dirty joke. When I was twelve, I masturbated thinking about my stepsister. She looked around her to make sure nobody was peaking in her window, laughing. She threw the paper in the recycling bin, stopped for a moment, pulled it back out and ripped it in half before throwing it in the trash.

 

Whether his landlord knew the notes came from him or not wasn’t the point. The point was getting it all out. I cheated on the SATs appeared three weeks later. I never once attended my micro economics class sophomore year came after another month. I was the one who puked all over my friend’s car was dropped off after six weeks. He had his friends put them in the mailbox faster, without even the pretense of accompanying the rent check. I cheated on my junior year girlfriend when I studied abroad was followed in a week by I’ve never forgiven my father for leaving my mother.

 

Sylvia had found her comfort. The letters appeared in her mail like tiny Christmas gifts. When they started coming more frequently, she began to anticipate them daily, like when she used to anticipate sleep. She thought she knew where they were coming from, considered setting up surveillance on her front porch, and finally gave up and let them be tokens from a friendly ghost.

 

I am afraid to leave my apartment. I haven’t left since I moved in. I am trapped.

Peter didn’t want to be coy anymore. This time he slipped the note inside the envelope with his rent check. He stopped licking the adhesive on the envelope halfway through and pulled the note out. He scribbled help me along the bottom of it.

 

Sylvia’s lack of sleep finally caught up with her at work. She fell asleep beside her patient’s bed and missed administering medicine. It wasn’t fatal, but it was enough to earn her a month’s suspension of her license for negligence and the suggestion of early retirement.

“Now you’ll have all the free time you could want to pick up a new hobby or catch up on your reading. You’ll have nothing but time,” she was told.

She accepted this assumption of her senility because she didn’t want her coworkers to know the truth that she had been living many years in a waking dream state. She tried to remember if there were other times she had nodded off at work and realized that for as lucid as she thought she had been during the day, she was only really awake at night. The rest of her life she had sleepwalked through.

Sylvia needed a letter that evening if for the very least as a distraction. She opened her mailbox eagerly and sifted through credit card offers and grocery store coupons until she found it. This envelope felt heavier. It had puffed like a little pillow. She ran inside, threw the rest of her mail on the counter, and sat down to open it. She pulled at one corner and when it loosened, slid the tip of her finger from one side to the other. She unfolded the letter and had to read the first sentence a few times to make sure she had read it right. It’s my fault my girlfriend died.

 Peter and his girlfriend had been out at a bar on Capitol Hill that night. They drank too much in celebration of his acceptance into the MFA in Creative Writing at UW. Neither could drive. They took a taxi and made a pact that they would wake up early enough the next morning to retrieve his car before it was ticketed.

They lived in an apartment close to Aurora. One of these days, when they made more money, they would move somewhere better, away from the noise and the half-lit neon signs. At first when they saw the man hovering on the sidewalk they thought he was homeless. He stood between them and their front door. Peter turned and watched the taxi pull away.

When he turned back, he saw the man holding a gun. Peter’s girlfriend tensed up beside him. The man breathed booze in their faces and yelled at them to hand over their wallets. They did, but he still didn’t leave. He moved closer, coughed in Peter’s face. An ambulance passed in the distance; its sirens distracted the man.

Peter shoved his girlfriend forward, towards the apartment building. “Just run.” He didn’t know why he had said it. He didn’t know then and he hadn’t figured it out yet.

The man turned and shot her. When she dropped to her knees, he ran. He had shot her in the back so that the last thing she saw before she died was her home.

 Sylvia didn’t receive any more letters after that. She knew the ghost downstairs was done talking. Now it was time for him to leave. It was in the middle of the night when it occurred to her how best to exorcise him. She sat down in her living room, finished a glass of red wine, and lit a cigarette. She hadn’t smoked in years, probably not since she was going through her divorce. The cigarette tasted like an old memory.

A yawn slipped out of her mouth and she giggled at the surprise of it. Her mouth stretched wide to let out another. She thought of the old saying “I’ll sleep when I’m dead,” and felt relieved. She dropped the cigarette onto the carpet and closed her eyes.

The smell of smoke did not wake Peter. It was the smoke detector’s incessant whine that pulled him from bed. He reached over and swatted at his alarm. When he knocked it on the ground and the noise still didn’t stop, he sat up in bed. Then he smelled the smoke. He threw on his bathrobe and ran for the kitchen. Peter checked the microwave, checked the stove, and realized the smoke came from upstairs. He walked through his kitchen to the front door. He had not passed through it since he moved in and he wasn’t sure he wanted to now. The smoke filled the room, filled his lungs, and he coughed so hard it felt like his chest was ripping apart. He thought he could hear sirens, but he wasn’t sure they would make it to him in time.

He bent down on his knees and ripped the duct tape off the dog door. He threw the tape in little balls onto the kitchen floor. He put one hand on the ground and the other on the little door. He pushed it open and felt the cool air.  The smoke detector in the kitchen buzzed in his ear. He reached for the door handle, but pulled back. He pushed the dog door open again and moved his face towards the opening. He breathed deeply the outside, breathed until his lungs were full.

 

Like her literary idol Raymond Carver, Kait Heacock is a short story writer originating from Central Washington. She currently lives and attends graduate school in Portland, Oregon. She has work appearing or forthcoming in Soundings Review, Clackamas Literary Review, Portland Review, Tin House’s Open Bar blog, and Port Cities Review. Later this year, her short story “Mom and the Bear” will appear in an anthology of writing by Portland writers about Portland, aptly titled Between Two Rivers. She also writes a weekly sex and sexuality column for the PDXX Collective, a website featuring fiction, non-fiction, poetry, and interviews by female authors.

 

Harlan Coben, The Woods

So, I had little to do after dinner on Friday night and the house was quiet. It seemed a great time to read. I grabbed the book most hidden on the bookshelf and jumped straight in. What a joyous surprised to be so rapidly gripped by a book! I couldn’t sleep, I was mesmerised, I had to read more, to know, to find out, to realise who, what, where … and I hung there on the edge of Coben’s woods until the wee hours of the morning, until the matchsticks crumbled and my eyes simply could not maintain any sort of alertness and I slept the sleep of the well read, and when I awoke, before a morning cuppa, I grabbed hold of The Woods and plunged back in until I reached the gritty end and then, finally, I could rest.

I can think of nothing else to say about this book. I loved it. It was exactly what I needed, when I needed it and for that, Mr Coben, I thank you.

The Bridge Of San Luis Rey, Thornton Wilder

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I first read this book at University during my undergraduate degree. It was a recommendation by a lecturer of mine, Dr Ian Bickerton. Bick recommended this book as well as Waterland and Calvino‘s If On A Winter’s Night A Traveller. I think I must have been about to embark on thesis writing adventures and these books were Bick’s way of educating me about the power of a narrative. At the time I absolutely relished each of these texts. My copies are littered with various notes to myself and little pointers about intriguing linguistic turns and twists. That said, it’s been 15 years since I read Wilder’s book and when unpacking my library I put it aside for revisiting.

Having reread it now, I am struggling to appreciate what originally captivated me in this text. There are elements of it which are clearly brilliant. Wilder is a master when it comes to crafting stories and placing elements side by side for reflection and juxtaposition which readers only appreciate in hindsight. Part of what Bick was referring to can be seen in Wilder’s self-reflexivity: “And I, who claim to know so much more, isn’t it possible that even I have missed the very spring within the spring?” It is comments such as this which cause readers to question who is actually narrating this text, whether it is the author’s own interjection or whether this is the voice of the protagonist. The constant blurring of the boundaries between character and author are what make this text so interesting.

However, I think that I was disappointed with this re-read. Somehow, the book didn’t hold the glory that I seem to remember and although I did really enjoy it, I had this imagining of it as a mammoth text of mountain-moving quality. Perhaps this is part of the risk of rereading great books?

Suffice to say, if you haven’t read Wilder’s book, please do and enjoy it for the great book that it is … if you have already read it, perhaps it is best to let it lie?

 

In Praise of Hatred, Khaled Khalifa

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The simple fact that this book is banned in the country which it describes makes it intriguing and well worth investigation and it was this fact alone which attracted me to reading it. I stumbled across Khalifa’s book on a blog which lauded it for having been nominated on the Independent Foreign Fiction Prize Longlist. Apparently, this book is the only Arabic fiction to have been nominated last year. These tidbits inspired me to buy the book and plunge straight in!

To start this review, I have to state that this is definitely not a book for everyone. Many readers will find its density frustrating and the attention to detail overwhelming. The plot lies far in the background and Khalifa pays most of his attention to drawing out the intensity of the experience of life in Syria – or any place in a state of revolution and rebellion –  through descriptions of the minutiae of existence – the taste of the air, the feel of the fountain water and the flittering of butterflies. Even in the chapter titles, Khalifa injects some surreptitious nudge at the status quo – “Women Led by the Blind” is Chapter One and one could easily write a dissertation on the implications of this title for the book as a whole and for its characters who are each so clearly vision impaired that they are lost in the mire of existence.

“Maryam’s efforts to realign our present according to the rhythm of the past would be of no use; it would only increase our delusions of belonging. We didn’t know how we would one day throw of its weight from our shoulders and free ourselves from the tyranny of the framed pictures of our ancestors hanging on Maryam’s wall, … scattered all over a house whose sanctity increased every morning. The ropes wound around our necks and turned us all into slaves. We cleaned it, polished it, reassured it; we didn’t dare smash so much as a vase, even accidentally.”

As the title of the novel indicates, the essence of this novel is a discourse on hatred and it is this that stood out for me as I was reading – bear in mind that I have an already developed knowledge of the position of women in various countries across the Middle East, so other readers might be more intrigued with the gender dynamic in this text: “By the end of that summer, hatred had taken possession of me. I was enthused by it; I felt that it was saving me. Hatred gave me the feeling of superiority I was searching for.” For the nameless protagonist, hatred is the energy that fuels her desire to survive her various prisons and later, when it becomes plain that hatred is not the solution and does not provide a means of escape:

“The hatred which I had defended as the only truth was shattered entirely. The early questions surrounding the truth of belonging and existence came back to me, as I swam in confusion. My life was a collection of allegories that belonged to others. How hard it is to spend all your time believing what others want you to believe; they choose a name for you which you then have to love and defend, just as they choose the God you will worship, killing whoever opposes their version of His beauty, the people you call ‘infidels’. Then a hail of bullets is released, which makes death into fact.”

 While this book is filled with various nooks and crannies, both literally and metaphorically, it is also filled with an assortment of emptinesses and as I write this I realise what strange turn of phrase this is – how can I book be filled with emptinesses? I find myself struggling to define what I mean… it’s not so much the silences (although there are moments of silent contemplation in this book), nor is it the general air of frustration which pervades the experiences of these characters who are so often running in circles like hamsters in wheels. Rather, it is surrender which plunges these individuals into a shadowy darkness which swills like a sense of emptiness. Perhaps when tragedy and trauma become an expected part of existence, they eat away at the core of us and leave us with absences which become integral to who we are … “It was difficult suddenly to discover that you are empty; that your shadow weighs heavily on the earth; that all around you, acid submerges your dreams and you appear corroded in the eyes of others.”

Within the vacuums, there are some stellar and austere moments, like when the protagonist’s mother dies – I won’t share the actual death as it will spoil the story for you, but the musing on her death is incredibly poignant and well worth singling out:

“My mother’s death was a banal occurrence, not worthy of much notice in a city where more than three hundred mourning ceremonies were held that day alone for the victims of the desert prison. Death had lost its prestige. They buried her beside my grandmother and left an empty place in the tomb, which I guessed was for Hossam…”

As interesting as the book itself is the real contemporariness of the events which it describes and the current relevance of the characters’ experiences and I think that the translator has done a wonderful job of making this apparent for readers through the introduction. Don’t read this book without the introduction!!

Finally, there is one thing which made me uncomfortable as a reader of this text (separate to the confronting events which are described in the text itself) and that is that the novel ends by telling readers that the English language version of this novel is not the same as the Arabic original which has an additional chapter. I found myself chomping at the bit to know why this was the case and sadly, my Arabic is not quite good enough to make proper sense of an Arabic version … if anyone has any more insight into the change of ending, I would be thrilled to know what I have missed out on!!

Khalifa, a masterpiece, not for all readers, but well worth the journey for those who can endure the absences.

 

 

 

 

Sonya Hartnett, The Midnight Zoo

I can’t think of the words to properly convey the magnitude of this truly wonderful book by Sonya Hartnett. It is magnificently crafted, impeccably written and a pleasure to read. While it is aimed at a young adult audience, I thought it was incredibly poignant and valuable for an adult audience too.

The story begins in an abandoned, war-torn village. The protagonists, we discover, are two brothers who are roaming the land trying to survive the ravages of war. We are not told anything about the broader context but the fact that these two boys are gypsies seems to indicate that the book is set in the Second World War.

The boys stumble upon an abandoned zoo complete with talking animals and so unfolds a narrative about the nature of freedom and the vastness of the cages which capture both the animals and, in a metaphorical sense, the boys themselves.

The story is littered with stellar questions: “Do you think it remembers the ocean?” Andrej asks about the seal who swims back and forth across the small width of his pool. All that Andrej and his brother are experiencing is expressed through the animals and their own experience of captivity.

It would hurt less if it had forgotten, but the bear replied, ‘Of course it remembers. Its mind is filed with the crashing of waves. The ocean called out to it from the moment it was born. Its ancestors swam there; its kin swim there today. It remembers the ocean because its blood and bones cannot forget it. Somewhere out there, there’s a gap in the water, a place which is hollow because the seal isn’t there.’… ‘Is there a gap in the mountains somewhere?’ he asked.

 And there are beautiful silences too; silences filled with the imaginings of two young boys and a troupe of animals. In some ways, this book reminded me of Tea Obreht’s ‘The Tiger’s Wife’, except this book has more of a magical quality to it, a more intense perspective on the world, on mankind and on how we behave… As the bear says: “A bear does what a bear must do to keep itself alive. But a man does many things that he has no need to do.”

There are so many magical moments in this book that it is difficult to narrow it down to a brief review which doesn’t contain any spoilers. I will only say that this is one of those once-in-a-lifetime books that resonates for a long time after the last page is read and the book itself is closed.